Saturday, 28 February 2015

Representation in advertising

 Hello again,

Right so today I am going to write about representation of different elements in the media. Representation is how people, events and idea's are portrayed to an audience, it is a version of truth constructed by the media industry and often revolves around stereotypes.


The main things often represented in the media are:
  • Age
  • Gender
  • Ethnicity
  • Sexuality
  • Class

There is usually a process which advertisers follow to creating these representations. Firstly depending on the product or company; demographics must be decided. Do they want the model of the advert to be upper class or working class? British or African? Middle aged or young adult? Gender? Setting?
Next they have to decide whether it will be a positive or negative representation of the type they are presenting. Will they be stereotypical (sticking to the audience's expectations) atypical (diverting their expectations) counter typical (a mixture of recognisable stereotypes and unusual atypical elements) or archetypal (a classic and original representation e.g. many vampires in adverts are shown with fangs and capes like Dracula.)
Lastly verisimilitude's

. This word frightened me at first but it's really not that bad. It is the way in which an advert or text creates an appearance of reality. There are a few different ways of doing this:
  • Utopia- a perfect ideal world
  • Dystopia- a scary and negative world, often futuristic (think The Hunger Games; near future America)
  • Surrealism- An unusual unique version of reality (The capitol from The Hunger Games or that scary climate change adverts)
  • Manipulated reality- elements of reality but often heightening the humour side (the haribo adverts with the adults talking like babies)
  • Reality- straightforward everyday life (e.g. a city background)
  • Animation- a more fun and youthful representation of life, and can be combined with any of the above types.

Ok now for an example to show this. I am also going to try and work in some theories to this analysation too.
So with this Dolce and Gabanna advert I'd say the demographics are 20-35 year old white males and female, middle class, urban city livers. I think the intention of this advert was to be a positive representation for both genders and the product but can be interpreted very differently. It is a counter-typical way of presenting these models as although it is very stereotypical to show young people with flirtatious body language in advertising, we don't often see four extremely strong and good looking men standing around a girl in very stylish and sexy clothes during the day time. 

The intention is clearly to show a utopia, an ideal world in which men can all pin down a gorgeous woman without question; trying to tell the audience their lives will be like this if they buy Dolce and Gabanna's product. This is a fantastic example of Laura Mulvey's male gaze theory too; the idea that women are presented in media to please straight men. The advert employ's a 'sex sells' attitude through the mise-en-scene of the ad. Her costume is black, connoting danger and fear and erotic nature. Accompanied by the blue sky implying the perfect day. The body language of the model's is key too; one of the men has his arm pinning down the woman who has a sultry and somewhat distressed facial expression. This shows the intended sense of dominance the advert is trying to create. 

They are all cornering this beautiful woman because they can with this product, presenting her as a man would like. By degradation. While the other three men stand around either staring intensely at different parts of her body or attempting to look sexy by staring solemnly into the camera. The lighting of the frame is bright and connoting a sunny summers day, while their costume's dark implying their intentions are dark too. The camera angle (wide-shot) has been done to ensure you can see all of their bodies fully; this is to show off not only the woman's sex appeal and curves but to display the topless 'sexed up' men too. Showing us that although the advert is primarily sexualising women, the men are also being portrayed this way; despite the dominant body language.

Okay so that's all for now and I think next week I will write something about Advertising techniques. Have a good week sweetlings! 

Sunday, 22 February 2015

GCSE Media Studies - Narrative

Ok, so despite it being 2 years since my last post I have decided to start this blog back up again. Posts may not be frequent due to exam's coming up but I'm going to be trying harder.

My media homework for this half term was to create a creative revision resource and one of the options was to create a blog, which was more than appealing to me.

My first post for this homework is going to be on narrative in TV adverts. One of the first things we learnt in GCSE media was Todorov's five part narrative structure. He said that in almost every advert or story there was a certain structure which was followed.

  • Equilibrium (peace and happiness)
  • Disruption (problem)
  • Recognition  (the realisation that there is a problem)
  • Complications ( more problems when trying to solve the first one)
  • New equilibrium (a new found peace, a 'happy ending' if you will)
This theory is actually true in many films; in particular cartoon/Disney movies. For example in Aladdin, the equilibrium would be that Aladdin is a happy and fun thief and the princess Jasmine has a beautiful Tiger called Raja and a huge home. The disruption to this is that Jasmine is being pushed into marriage and so rebels by leaving the castle. The recognition would be Aladdin and Jasmine both realising their problems are more similar than you'd think. The complication is Jafar attempting to take over the world, Aladdin lying about being a prince, genie going to Jafar and genie then wanting his freedom (in most movies there are many complications) and the new equilibrium is that genie is free, Jafar has been defeated and Aladdin and Jasmine are free to be married.

However since our current topic is advertising I better find an example on that.


 Okay so the narrative in this print advert for Lynx Axe Anarchy is a good example of this theory. The equilibrium is that they both are wearing nice clothes and so we could infer they are going somewhere to have fun and have come to get petrol. The disruption is the spilling of the petrol, and then the realisation that both of them are wearing the product which is the recognition, the complication is that they're both causing chaos by being distracted, and then they realise that despite the mayhem and destruction they are very attracted to one another which is the new equilibrium.
 
Another narrative theory is Propp's character types where he suggests that there are certain characters in every story. These are:
  • Hero (the person who resolves the problem)
  • Villain (the bad guy, you know, Ursula, Jafar, Syndrome from the Incredibles and Prince Charming from Shrek)
  • Donor ( the person who gives the product or helper items)
  • Dispatcher (Supplier of help)
  • False Hero ( a pretender e.g the wizard in The Wizard of Oz)
  • Helper (a side kick)
  • Princess (not an actual princess, the 'reward' for the hero whether a person or object)
 
A movie example of these types could be used in Shrek. The hero being of course, our favourite big ogre, the villain being Lord Farquad, the mythical creature poacher who accidentally gives Shrek a sidekick; Donkey. The dispatcher being Lord Farquad who sends Shrek on his way, and he is also the false hero who tricks Shrek into thinking he will be happy with his swamp (often these roles overlap) the helper who is Donkey who assists Shrek on the obstacles of his journey and lastly the princess being Shrek's swamp which he is desperate to get back.
 
These character types can also be put into place with the print advert above. The Hero is the product who makes the characters forget about the mayhem they cause, the villain you could also say is the product which creates the destruction in the first place. The donor is the boy and the girl who bought themselves the products and they are also the dispatchers who bring themselves to the petrol station. The false hero would be any other deodorant product, showing that Lynx is the best as it creates a sustainable distraction. The helper is the product which helps them forget about the danger of their situation and the princess would be the new attraction they feel for one another.
 
These character types link nicely into Levi-Strauss' binary opposites! He said that no narrative can exist without defining opposites. In this advert for example, hero and villain, the danger of the situation and the safety of their new found love, the ugly roadside and the beauty of the actors and so on.
 
Other narrative devices include:
  • Enigma's - something creating a question of mystery.
  • Dramatic Irony - When the audience know something other characters don't.
  • Cliff hangers- leaving an air of suspense at the end of a narrative.
So you get the picture, narrative is not as simple as telling a story beginning, middle, end. There is much more to consider!
I'm thinking my next post will be on representation so see you guys then!

 
 
 



Related Posts Plugin for WordPress, Blogger...